Salish Sea Butoh 2025 Festival Performances

The Salish Sea Butoh Festival proudly presents our

2025 MAIN STAGE Performances

featuring guest artists from Japan, Australia, Mexico & USA!!

BUY YOUR TICKETS to the shows at: www.givebutter.com/salishseabutoh2025 

* FRIDAY, August 22 — MainStage Performance # 1

LOCATION: USO Hall at Fort Worden State Park

7:30 PM – Doors open

8:00 PM to 10:00 PM – showtime

Artist LINEUP for MAINSTAGE PERFORMANCE Night # 1

  • Rosemary Candelario  (Austin, TX)

  • Joan Laage  (Seattle, WA)

– INTERMISSION – 

  • Eugenia Vargas  (México) 

  • Espartaco Martinez  (México)

* SATURDAY, August 23 — MainStage Performance # 2

Location: USO Hall at Fort Worden State Park

7:30 PM – Doors open

8:00 PM to 10:00 PM – showtime

Artist LINEUP for MAINSTAGE PERFORMANCE Night # 2

  • Yuri Nagaoka  (Japan)

  • Iván-Daniel Espinosa & Co. (Chicago + Seattle)

– INTERMISSION – 

  • Seisaku (Japan)

  • Yumi Umiumare  (Australia)

$25 general admission | BUY YOUR TICKETS FOR THE SHOW at:

https://www.givebutter.com/salishseabutoh2025 

ABOUT BUTOH:
Butoh is an avant-garde form of contemporary dance-theater that originated in Japan after WWII. It is characterized by physical movements that move towards the earth and the subconscious. Butoh was first developed in the late 1950s and 1960s through experimental performances in Tokyo led by its founder and chief architect Tatsumi Hijikata and his collaborators. Butoh, which is influenced by European Surrealism and Japanese Surrealism, German Expressionism, French avant-garde literature, Japanese theater forms Kabuki and Noh, and East Asian spiritual thought, quickly spread beyond Japan’s borders in the late 1970’s and was received by diverse international audiences as a major innovation in contemporary dance and performance. Later on, women and female Butoh dancers that studied with Hijikata such as Yoko Ashikawa, Saga Kobayashi and Natsu Nakajima profoundly influenced the course of the art form and its development abroad. Their work established Butoh as a form of dance that is disciplined and rigorous, yet spontaneous and idiosyncratic, intellectual and philosophical, yet grounded in the human body. Instead of aspiring to an aesthetic ideal, Butoh reveals the primordial human being and the inner world. It implies total presence where dance is an expression of being in the world as well as containing the world within oneself. Butoh grows from themes such as dreams, ghosts, androgyny, nature, solitude, and the natural cycles of life and death. It continues to evolve into a global artform in the 21st century.